Editing wildlife photos is an experience that brings together the thrill of capturing a moment and the joy of making it come to life. After a long day in the field, I’m always eager to see what I’ve captured. My process starts with a quick review in Lightroom Classic, where I sort through the photos, choosing the ones worth keeping and imagining their potential. This step sets the tone for the rest of the process, but it’s only the beginning. I’ve learned that taking a break before diving into detailed edits is essential. Revisiting the images the next day allows me to see them with fresh eyes, clearing away the emotional attachment of the shoot and helping me focus on the strengths of each photo. When I return to the files, I start with cropping, refining the composition to make the subject stand out. From there, I enhance the details through sharpening and denoising. If distractions in the frame threaten the balance, I’ll turn to Photoshop for cleanup. The final step, and my favorite, is color correction—adjusting the tones to draw out the harmony between the subject and its environment.
I think wildlife photography is also about balance. It’s not just about capturing the animal; it’s about how the surroundings amplify the subject. Editing helps me find and emphasize those connections. A vibrant background can bring life to a bird’s feathers, while subtle patterns or shadows in the environment can frame the creature in a way that tells a unique story. Through this process, I’ve learned to appreciate the role of perspective. Each photo is an opportunity to see differently, to develop not only technical skills but also a deeper understanding of nature.
I strongly feel that editing process isn’t just about improving a picture—it’s about completing it. With every session, I discover new ways to approach my work and refine my vision. It’s a journey of creativity and patience, and for me, it’s where the real magic happens. (Picture1: Mute Swan/ Picture2: Herring Gulls)
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